Archie Moore
  • Archie Moore 'Archie in The Reminder' 2005. Courtesy The Commercial, Sydney.

  • Archie Moore 'Archie in Ice Breaker' 2005. Courtesy The Commercial, Sydney.

  • Archie Moore 'Archie in Boong' 2005. Courtesy The Commercial, Sydney.

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Archie Moore

Comic Paintings

18 January–30 March 202518 Jan–30 Mar 2025

#ComicPaintings

In 2005, aged thirty-four, Archie Moore undertook a residency for emerging First Nations artists organised by Campfire Group at FireWorks Gallery, Meanjin/Brisbane. He produced seven large, unstretched canvases that turned on his sharing his first name with the famous American comicbook character. The paintings implicitly emphasise his different childhood experiences as an Aboriginal boy—experiencing bullying, poverty, shame, low self-esteem, and abuse—with those of the American white middle-class teen. Moore went on to create related, but very different, works. After his winning the Golden Lion at Venice in 2024, it’s an interesting moment to look back at these ‘early works’.

Artist Bio

Archie Moore (1970, Kamilaroi/Bigambul) has shown in the 2016 Sydney Biennale; at UNSW Galleries, Gadigal/Sydney, in 2021; and Gertrude Contemporary, Naarm/Melbourne, in 2022. In 2018, Griffith University Art Museum presented a survey of his work, Archie Moore 1970–2018. His work United Neytions is permanently installed at Sydney International Airport. In 2024, he represented Australia in the Venice Biennale, winning the Golden Lion for best national pavilion. The work was acquired by the Australian Government and gifted to Queensland Art Gallery, Meanjin/Brisbane, and Tate, London. He is represented by The Commercial, Gadigal/Sydney, and is based in Meanjin/Brisbane.

The Institute of Modern Art acknowledges the traditional custodians of the land upon which the IMA now stands, the Jagera, Yuggera, Yugarapul, and Turrbal people. We offer our respect to Aboriginal and Torres Strait Islander people as the first artists of this country. In the spirit of allyship, the IMA will continue to work with First Nations people to celebrate, support, and present their immense past, present, and future contribution to artistic practice and cultural expression.

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