Justene Williams
  • Justene Williams 'Generational Geriatric' 2022. Courtesy Sarah Cottier Gallery.

  • Justene Williams 'Hepworth’s Hole' (detail) 2022. Courtesy Sarah Cottier Gallery.

  • Justene Williams 'Totes Totally Totem' 2022. Courtesy Sarah Cottier Gallery.

  • Justene Williams 'She has no beginning or end' installation view. Courtesy Sarah Cottier Gallery.

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Justene Williams

Art on James

The Calile Hotel, James St

We asked James St if we could occupy a temporarily unoccupied shop for a show of Justene Williams’s whimsical sculptures. They said: Yes, we’re in. Occupy James St (with art).

At first glance, passers-by may assume Justene Williams’s show is another fashion pop-up. Her sculptures resonate against the traditional idealisation of the female form. Some look like sleek mannequins, albeit absurdly attenuated and coloured, attired and posed. Others are crude assemblages—more pop-primitive. Either way, there’s something fetishistic and totemic about them.

Check out this fleeting exhibit on the ground floor of The Calile (old Dion Lee store space). This exhibition is a partnership with Art on James.

Artist Bio

Justene Williams was born in Sydney in 1970 and lives in Brisbane. Many of her projects have been inspired by early twentieth-century modernism, channelling dada cabaret, futurist operas, and Bauhaus ballet through a lens of suburban Australia. She has shown at the National Gallery of Australia, Queensland Art Gallery, and Buxton Contemporary. She is represented by Anna Schwartz Gallery, Melbourne.

The Institute of Modern Art acknowledges the traditional custodians of the land upon which the IMA now stands, the Jagera, Yuggera, Yugarapul, and Turrbal people. We offer our respect to Aboriginal and Torres Strait Islander people as the first artists of this country. In the spirit of allyship, the IMA will continue to work with First Nations people to celebrate, support, and present their immense past, present, and future contribution to artistic practice and cultural expression.

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