Khadim Ali
  • Khadim Ali, 'Sermon on the Mount', 2020, tapestry, embroidery and acrylic, 553 x 400 cm. Collection: National Gallery of Australia, Canberra, purchased 2021. Photo: Carl Warner. Image courtesy the artist and Milani Gallery, Brisbane.

  • Khadim Ali, 'Sermon on the Mount' (detail), 2020, tapestry, embroidery and acrylic, 553 x 400 cm. Collection: National Gallery of Australia, Canberra, purchased 2021. Photo: Carl Warner. Image courtesy the artist and Milani Gallery, Brisbane.

  • Khadim Ali, 'Invisible border 2', 2020, medium, hand and machine embroidered, stitched and dye ink on fabric, 290 x 260cm. Installation view: Lahore Biennale, 2020. Image courtesy the artist and Milani Gallery, Brisbane.

  • Khadim Ali, 'Invisible border 1', 2020, medium, hand and machine embroidered, stitched and dye ink on fabric, 290 x 260cm. Installation view: Lahore Biennale, 2020. Image courtesy the artist and Milani Gallery, Brisbane.

  • Khadim Ali, 'Invisible border 1', 2020, medium, hand and machine embroidered, stitched and dye ink on fabric, 290 x 260cm. Installation view: Lahore Biennale, 2020. Image courtesy the artist and Milani Gallery, Brisbane.

  • Khadim Ali in collaboration with Bamiyan Art Space, 'Standing Flames', 2019. From 'Flowers of Evil'. Acrylic, industrial paints, Dutch metal gold leaf on MDF, 1785 x 539cm. Installation view: Sharjah Biennial 14, 2019. Commissioned by Sharjah Art Foundation. Courtesy of the artist, Sharjah Art Foundation, and Milani Gallery.

  • Khadim Ali in collaboration with Sher Ali, 'Urbicide', 2019. From 'Flowers of Evil'. 11-channel sound: steel, metal, gold leaf; nylon thread on machine, woven rug, dimensions variable. Installation view: Sharjah Biennial 14, 2019. Commissioned by Sharjah Art Foundation. Courtesy of the artist, Sharjah Art Foundation, and Milani Gallery.

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Khadim Ali

Invisible Border

10 April–05 June 202110 Apr–05 Jun 2021

#KhadimAli

“I became other. I became one of the wearied, dusty faces from across the border. And although there was no boundary between us, and we were all citizens of one country, suddenly an invisible border of horror was drawn around me that made it impossible to get out”—Khadim Ali

In his largest Australian solo exhibition to date, Hazara artist Khadim Ali explores the normalisation of war and the experience of refugees through a series of poetic installations and textile works. Invisible Border comprises sound installation, miniature painting, and a monumental 9-metre-long tapestry, hand woven by a community of Hazara men and women, some who have lost family members in war. Featuring existing work alongside new commissions developed for the IMA, the exhibition will also feature Otherness, a major body of work developed in partnership with the IMA and Lahore Biennale Foundation.

Ali’s interest in tapestries developed soon after his parents’ home in Quetta, Pakistan was destroyed by suicide bombers. Amongst the rubble and debris left from the blast, a collection of rugs and weavings remained the only thing intact: miraculously able to withstand the reign of terror inflicted upon his family and community. In this new large-scale tapestry, and other works, Ali explores the impact of war, trauma and displacement drawing parallels from the Book of Shahnameh, a Persian literary masterpiece comprising of 50,000 couplets and written between c. 977 and 1010 CE.

Just like the many great mythic tales in the Shannameh, Ali’s intricate works depict stories of demons and angels, conquest and war through the lens of the persecuted Hazara community. Expressing the profound grief, trauma and loss experienced at the hands of modern-day warfare, Invisible Border is a necessary and vital exhibition during a time of political propaganda, violence, and fear.

View the digital exhibition guide here.

Curated By
  • Liz Nowell
Off-Site Venues
Artist Bio
Khadim Ali
Pakistan

Born 1978 Quetta, Pakistan, Khadim Ali currently lives and works in Sydney, Australia. After growing up in Pakistan as a refugee, Ali was trained in classical miniature painting at the National College of Arts in Lahore and in mural painting and calligraphy in Tehran.

Selected exhibitions include the Venice Biennial (2009); Safavid revisited, APT5, Queensland Art Gallery | Gallery of Modern Art, Brisbane (2006); British Museum, London; No Country: Contemporary Art for South East Asia at the Guggenheim New York (2013); Documenta (13) (2012); Rendez­vous, Biennale de Lyon (2017), Lyon France; The National (2017) Museum of Contemporary Art, Sydney and Dhaka Art Summit (2018). Ali’s work is held in the collections of the National Gallery of Australia, Australian War Memorial, Art Gallery of New South Wales, QAGOMA, Brisbane, Victoria and Albert Museum, London and the Solomon R. Guggenheim Museum, New York.

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We acknowledge the Traditional Custodians of the lands where the IMA now stands. We pay our respect to Elders past, present, and emerging.

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