Marianna Simnett
  • Marianna Simnett, 'Blood In My Milk' (video still), 2018. Courtesy of the artist.

  • Marianna Simnett 'Blood In My Milk' 2018. Installation view: New Museum, New York. Photo: Maris Hutchinson / EPW Studio

  • Marianna Simnett, 'Blood In My Milk' (video still), 2018. Courtesy of the artist and Jerwood / FVU Awards.

  • Marianna Simnett, 'Blood In My Milk' (video still), 2018. Courtesy of the artist and Jerwood / FVU Awards.

  • Marianna Simnett, 'Blood In My Milk' (video still), 2018. Courtesy of the artist and Comar.

  • Marianna Simnett, 'The Udder', 2014; 'Blood', 2015. Installation view: FACT, Liverpool. Photo: Rob Battersby

  • Marianna Simnett, 'Blood', 2015, single-channel HD video with sound, 00:23:00, looped. Installation view: FACT, Liverpool. Photo: Rob Battersby

  • Marianna Simnett, 'Faint with Light', 2016. Installation view: 'SEIZURE', Copenhagen Contemporary, Copenhagen, 2019. Courtesy of the artist. Photo: Anders Sune Berg.

  • Marianna Simnett, 'The Needle and the Larynx' (video still), 2016. Courtesy of the artist and Serpentine Galleries, London.

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Marianna Simnett

CREATURE

22 February–18 April 202022 Feb–18 Apr 2020

#MarinnaSimnett

CREATURE is the first exhibition in Australia by London-based artist Marianna Simnett. Surveying the last six years of Simnett’s practice, the exhibition presents three of her most significant film and installation works; Blood In My Milk (2018), Faint with Light (2016), and The Needle and the Larynx (2016), together for the first time.

Simnett has gained global attention for her visceral and theatrical works, which draw upon conventions of storytelling and folklore to explore the body as a site of transition. Often featuring the artist performing alongside a cast of non-actors, Simnett’s work speaks to the relationships we develop with our bodies—shifting between control and violence, phobia, and dysmorphia—as they undergo intervention and transformation.

The centerpiece of CREATURE is Blood In My Milk, an epic 73 minute, five-channel video installation, involving a motley cast of insects, children, surgeons, and the artist herself, who perform anxieties surrounding the body. In this disorientating musical tale, Simnett’s characters are subjected to threats, invasive procedures, and paranoiac visions which explode into hallucinatory realms.

In the sculptural installation Faint with Light, the artist pushes her body to its limits by repeatedly inducing her own unconsciousness. The sound of Simnett’s hyperventilation is synced to ultrabright LEDs which rise and fall with her breath. Faint with Light was made in response to Simnett’s Jewish-Croatian grandfather who missed a bullet in the Holocaust when he fainted during a mass execution.

Set against a fable of a young girl’s revenge on a surgeon, The Needle and the Larynx, shows across one excruciatingly long, slow motion shot, the artist receiving an injection of Botox into her larynx to lower the pitch of her voice. This procedure, usually undertaken by men to attain a deeper voice post puberty, captures the artist’s own experience as a patient whilst exposing repressive systems of violence imposed upon our bodies.

Across these three major works, Simnett invites audiences to explore fluid bodily states in an increasingly interventionist world. Through wicked tales and cautionary fables, the psychophysical nature of Simnett’s CREATURE will take hold and remain with you long after you leave.

Curated By
  • Liz Nowell and Jess O'Farrell
Artist Bio
Marianna Simnett
UK

Marianna Simnett lives and works in London. Through video, performance, sculpture and watercolour, she challenges how bodies are perceived and imagined. Solo exhibitions include the forthcoming Frans Hals Museum, Amsterdam (2019); Kunsthalle Zürich (2019); as well as Copenhagen Contemporary (2019); FACT, Liverpool (2019); the New Museum, New York (2018); Museum für Moderne Kunst, Frankfurt (2018); Zabludowicz Collection, London (2018); Matt’s Gallery, London (2017); Seventeen Gallery, New York and London (2016). Group exhibitions include the forthcoming Castello di Rivoli, Italy (2020) as well as Sadie Coles, London (2019); Schinkel Pavillon, Berlin (2019); Tai Kwun Contemporary, Hong Kong (2019); the Walker Art Center, Minneapolis (2019).

We acknowledge the Traditional Custodians of the lands where the IMA now stands. We pay our respect to Elders, past, present and emerging.