'Nicole Voevodin-Cash: Lobby Play', Institute of Modern Art, Brisbane, 2004.
'Nicole Voevodin-Cash: Lobby Play', Institute of Modern Art, Brisbane, 2004.
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Nicole Voevodin-Cash
Lobby Play
30 April–29 May 200430 Apr–29 May 2004
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Nicole Voevodin-Cash explored the strangeness of reception areas. The upholstered works in Lobby Play looked a bit like minimalist sculpture, a bit like furniture, and invited physical interaction. Her project spilt out of the gallery and into the Judith Wright Centre’s reception areas, where she had replaced the familiar furniture with her works. Lobby Play demonstrated the need for playful interaction in our increasingly alienating public spaces.
The Institute of Modern Art acknowledges the traditional custodians of the land upon which the IMA now stands, the Jagera, Yuggera, Yugarapul, and Turrbal people. We offer our respect to Aboriginal and Torres Strait Islander people as the first artists of this country. In the spirit of allyship, the IMA will continue to work with First Nations people to celebrate, support, and present their immense past, present, and future contribution to artistic practice and cultural expression.
