The searching, striking digital films of Sky Hopinka are complex formal arrangements, conceptually and aesthetically dense, characterised by an intricate layering of word and image.
—Dennis Lim, Artforum.

The Cloven World of Sky Hopinka presents seven short films by Sky Hopinka, from the Ho-Chunk and Pechanga Tribes of North America. The films centre on personal perspectives of Indigenous homeland and landscape, language as a container of culture, and the play between the known and the unknowable.

Wawa (2014, 6min)
Featuring speakers of chinuk wawa, an Indigenous language from the Pacific Northwest, Wawa commingles forms of documentary and ethnography, translating and transmuting ideas of cultural identity, language, and history.

Jáaji Approx. (2015, 8min)
A road movie passing through archetypal landscapes of the American West, Jáaji Approx. combines fragmentary shots of open skies, coastlines, forests, mountains, deserts, and highways with Hopinka’s audio recordings of his father’s stories and songs. ‘Jáaji’ is the direct-address word for ‘father’ in the Hočąk language. The second part of the title alludes not only to the approximations of translation but also to the notions of proximity and distance that shape the video’s form and content.

Visions of an Island (2016, 15min)
This film captures glimpses of an island in the centre of the Bering Sea. An Unangam Tunuu elder describes cliffs and summits, drifting birds, and deserted shores. A group of students and teachers play and invent games, revitalising their language.

I’ll Remember You as You Were, Not as What You’ll Become (2016, 13min)
This elegy to poet Diane Burns (Chemehuevi/Anishinabe) ruminates on mystical processes of transfiguration and reincarnation. Dancing figures at a powwow are transformed into otherworldly psychedelic streaks.

Anti-Objects, or Space Without Path or Boundary (2017, 13min)
Quoting architect Kengo Kuma, the title suggests a way of looking at everything as interconnected and intertwined. Depictions of two structures in the Portland Metropolitan Area that have direct and complicated connections to the Chinookan people who inhabit the land are interwoven with audio of one of the last speakers of the Chinookan creole, chinuk wawa.

Dislocation Blues (2017, 17min)
Reflections from Standing Rock Indian Reservation and Dakota Access Pipeline protests. Cleo Keahna recounts his experiences entering, being at, and leaving the camp, and the difficulties and the reluctance in looking back with a clear, critical eye. Terry Running Wild describes what his camp is like and what he hopes it will become.

Fainting Spells (2018, 11min)
Told through recollections of youth, learning, lore, and departure, Fainting Spells is an imagined myth for the Xąwįska or the Indian Pipe Plant, used by the Ho-Chunk to revive those who have fainted.