Event Love is the Message, The Message is Death

Love is the Message, The Message is Death

Panel Discussion

10 February 2024
11.00AM–12.00PM

Arthur Jafa’s video Love is the Message, The Message is Death encapsulates African American experience as a tale of resilience. Scenes of trauma, racism, grief, and routine police violence are shuffled with others of joy, defiance, and creativity, including performances by exceptional black athletes, dancers, and musicians. Set to Kanye West’s emotional gospel anthem ‘Ultralight Beam’, it is a visceral, kaleidoscopic meditation on African American life, history, and identity. Join us for a roundtable discussion on this seminal video, with Ruari Elkington and r e a Saunders, facilitated by Shannon Brett.

Guest Info
  • Shannon Brett is a proud Wakka Wakka, Butchulla, Gooreng Gooreng person, an artist, designer, and curator, currently completing a PhD in Social Justice at the Queensland University of Technology. Their research on whiteness responds to systemic racism and misogyny in Australia from decolonial and black feminist perspectives. They have worked in numerous arts institutions throughout Australia.

    Ruari Elkington is a Senior Lecturer in Creative Industries at the Queensland University of Technology and a Chief Investigator in its Digital Media Research Centre. For over a decade, his industry engagement and research has been driven by questions around how screen content connects with discrete audiences in markets increasingly under pressure through creative and commercial tensions. His screen industry experience centred on the acquisition, marketing, and distribution of documentaries, feature films, and innovative digital content to theatrical and online audiences.

    r e a Saunders is an artist, curator, activist, and educator from Gamilaraay, Wailwan, and Biripi Nations. They critically engage with colonial archives of bla(c)kness, and draw on a legacy of lived experience, ancestral knowledge, and the impact of intergenerational trauma, grief, and loss. Their doctorate Vaguely Familiar: Haunted Identities, Contested Histories, Indigenous Futures produced a body of work that explored the importance of dadirri (deep listening) on Country.

'Arthur Jafa: Love Is the Message, The Message Is Death', Museum of Contemporary Art, Los Angeles, 2016. Photo: Brian Forrest.

Related Exhibition

Arthur Jafa

Love is the Message, The Message is Death

20 Jan–07 Apr 2024

The Institute of Modern Art acknowledges the traditional custodians of the land upon which the IMA now stands, the Jagera, Yuggera, Yugarapul, and Turrbal people. We offer our respect to Aboriginal and Torres Strait Islander people as the first artists of this country. In the spirit of allyship, the IMA will continue to work with First Nations people to celebrate, support, and present their immense past, present, and future contribution to artistic practice and cultural expression.

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