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  • Documents of Contemporary Art: The Market The Market
    Documents of Contemporary Art
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  • Documents of Contemporary Art: The Studio The Studio
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  • Documents of Contemporary Art: Translation Translation
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  • Domenico de Clario: A Second Simplicity Domenico de Clario: A Second Simplicity
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  • Donald Rodney: Autoicon Donald Rodney: Autoicon
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  • Doris Boerman – Plugs, Pores, Walls and Lures: Self-Design as Sculpture Doris Boerman – Plugs, Pores, Walls and Lures: Self-Design as Sculpture
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  • Dwelling Poetically: Mexico City, a case study Dwelling Poetically: Mexico City, a case study
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  • Earth & Fire Earth & Fire
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  • Emergence Magazine Volume 5: Time Emergence Magazine Volume 5: Time
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  • Energy Fields: Vibrations of the Pacific Energy Fields: Vibrations of the Pacific
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  • Enki #1 Enki #1
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  • Ephemerality is all Very Well Portraits of Rowland S. Howard Tony Clark & Lyndal Walker Ephemerality is all Very Well Portraits of Rowland S. Howard Tony Clark & Lyndal Walker
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  • et al. epochal et al.
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  • Sale! EUROPA? EUROPA?
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  • Sale! EUROPEANS - Yamandú Roos EUROPEANS – Yamandú Roos
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Institute of Modern Art

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The Institute of Modern Art acknowledges the traditional custodians of the land upon which the IMA now stands, the Jagera, Yuggera, Yugarapul, and Turrbal people. We offer our respect to Aboriginal and Torres Strait Islander people as the first artists of this country. In the spirit of allyship, the IMA will continue to work with First Nations people to celebrate, support, and present their immense past, present, and future contribution to artistic practice and cultural expression.

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Future Souths: Dialogues on Art, Place, and History
Future Souths: Dialogues on Art, Place, and History
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