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What is Performance Art? Australian Perspectives


Eds.: Adam Geczy and Mimi Kelly

Contributors: Heather Barker, Denis Beaubois, Brad Buckley, Laini Burton, Rex Butler, John Conomos, Ineke Dane, Blak Douglas, Bonita Ely, Janelle Evans, Deej Fabyc, Blair French, Adam Geczy, Michael Goldberg, Agatha Gothe-Snape, Charles Green, Tim Johnson, Mimi Kelly, Peter Kennedy, Mary Knights, Sean Lowry, Anne Marsh, Hannah Mathews, Ian McLean, Sarah Miller, Paul Mumme, Robert Nelson, S.J Norman, Maurice O'Riordan, Jill Orr, Mike Parr, Tess de Quincey, Julie Rrap, Edward Scheer, Mark Shorter, Jason Sweeney, Ilmar Taimre, Julie Vulcan

Publisher: Power Publications

432 Pages

ISBN: 978-0-909952-93-8

What is Performance Art? Australian Perspectives brings together texts from Australia’s most prominent theorists in the field together with major exponents of performance art themselves, creating a critical archive, and dialogue, that stand as central document of Australian performance art’s first fifty years.

Performance art in Australia now has a long and rich history that until only recently has been situated within the larger narrative of Australian art. It is a practice that has engaged with important issues of the self and being and remains at the epicentre of expressions of gender, politics and the nature of communication itself.

Transient in nature, performance art is also mobile, economical and elastic. Unlike other Australian traditions (such as landscape painting), there has never been a question of what is distinctively Australian about it. This is because Australian performance art has always inhabited an international framework. But still, it is worth asking: what is the nature and contribution of Australian performance art from the 1970s until the present day?



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17.2 × 2.5 × 25 cm