In an era defined by human impact on the environment and overlapping crises, is art’s poetic and critical capacity to influence change—what Elaine Scarry describes as their status as “fragments of world alteration”—being challenged or affirmed? How do artists see their work in this new era?
In this panel artists Kinly Grey, Warraba Weatherall, Tintin Wulia, and host and exhibition curator Tim Riley Walsh engage with key themes of the exhibition On Fire: Climate and Crisis.
The Institute of Modern Art acknowledges the traditional custodians of the land upon which the IMA now stands, the Jagera, Yuggera, Yugarapul, and Turrbal people. We offer our respect to Aboriginal and Torres Strait Islander people as the first artists of this country. In the spirit of allyship, the IMA will continue to work with First Nations people to celebrate, support, and present their immense past, present, and future contribution to artistic practice and cultural expression.
